IDEOLOGY AND EMANCIPATING THE MIND: New Art Concept in China since 1978 is divided into four chapters: "The Problem of Ideology," "The Liberation of Thought," "Accepting Western Concepts," and "The Crisis of Ideology." Currently, the book has been updated to the third chapter, which focuses on how the Chinese art world has absorbed Western modern art concepts since the reform and opening-up, and explores their influence and innovation on indigenous Chinese art.
The book has not yet been published and is being shared solely through this website for academic purposes, providing a platform for readers to engage in exchange and discussion.